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Rizwan Khan, a Muslim from the Borivali section of Mumbai, suffers from Asperger's syndrome, a form of high-functioning autism that complicates socialization. The adult Rizwan marries a Hindu single mother, Mandira, in San Francisco.

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After 9/11, Rizwan is detained by authorities at LAX who mistake his disability for suspicious behavior. Following his arrest, he meets Radha, a therapist who helps him deal with his situation and his affliction. Rizwan then begins a journey to meet US President Bush to clear his name. My Name Is Khan is without a doubt Karan Johar's most accomplished work to date - powerful, moving and involving. Johar seemed to have learnt a lot from the previous feedbacks he must have got for his films. At times it was difficult to believe it was actually directed by Johar and written by Shibani Bathija, who finally proves her talent as a writer. The film is thoroughly realistic and the evident attention Johar paid to the smallest of details is commendable.

The film does get sentimental at places, but it never goes over-the-top and remains fairly restrained and completely authentic, which makes the emotional impact on the viewer much stronger. The film is traditionally a love story more than anything else, but the ever relevant message behind it is wonderfully conveyed through such terms as innocence and guilt, kindness and inhumanity, truth and untruth, justice and injustice, love and hate.

All these antonyms intelligently swap places through the story of innocent civilians accused for no fault of their own post the 9/11 attacks. The result of this tragic incident made the lives of so many of them miserable. This was really tough viewing. That's where our hero, Rizwan Khan, is thrown.

He suffers from Asperger's Syndrome, he's different, he's naive, he takes every word literally, but he is intelligent and talented, and his perception of life is as his beloved mother taught him: the world includes only two groups of people – good people who do good and bad people who do bad. This is so overly general yet so very true. The memory of his mother follows him always, and it's easy to see why. The portrayal of Rizwan's childhood is amazing.

His relationship with the love of his life, Mandira, a young and vibrant single mother who works as a hairdresser and who ultimately agrees to marry him, is totally charming. The narrative style is exemplary.

The serious proceedings are flavoured with humour, romance and some wonderful songs. Shankar-Ehsaan-Loy create another magical soundtrack and give life to the film with such tracks as 'Sajda', 'Noor-E-Khuda' and 'Tera Naina Re'. The fact that songs are playing only over montage sequences letting the actors no chance to lip-sync in a true Hindi film style, is appreciable but I, for one, at points really missed the glamorous and colourful numbers from Johar's previous films, the more so as it stars Shahrukh Khan and Kajol after so many years.